From Lagos to London, Kida Kudz has spread his “Jiggy” sound worldwide. He talks about balancing music with fatherhood and what we can expect from his upcoming project. Moving to London in his teens exposed
I grew up on the Spice Girls. Wearing awkward crop tops, jelly shoes and glitter lip gloss, while my sister played Pac from the bedroom. Cassette tapes rolling as I dance to “sweet like chocolate
Viper recently caught up with Age of L.U.N.A, the collective creative force making authentic waves in the London Hip Hop scene. Between rehearsal schedules, an upcoming Wireless performance and Fresh launch of their EP ‘Coco’,
When was the last time a piece of jewellery scared you? Sounds like a weird question right? Well, what if it was sitting on the chest of the now-incarcerated crime lord/rap mogul/overall terrifying human being;
East London photographer and visual artist, Zoe Buckman, rules the roost in a darker field. But never loses her wit and sense of humour. Playfully bending the bouji margins of multimedia, Buckman’s current ‘Present Life’
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From Lagos to London, Kida Kudz has spread his “Jiggy” sound worldwide. He talks about balancing music with fatherhood and what we can expect from his upcoming project. Moving to London in his teens exposed
I grew up on the Spice Girls. Wearing awkward crop tops, jelly shoes and glitter lip gloss, while my sister played Pac from the bedroom. Cassette tapes rolling as I dance to “sweet like chocolate
Viper recently caught up with Age of L.U.N.A, the collective creative force making authentic waves in the London Hip Hop scene. Between rehearsal schedules, an upcoming Wireless performance and Fresh launch of their EP ‘Coco’,
When was the last time a piece of jewellery scared you? Sounds like a weird question right? Well, what if it was sitting on the chest of the now-incarcerated crime lord/rap mogul/overall terrifying human being;
East London photographer and visual artist, Zoe Buckman, rules the roost in a darker field. But never loses her wit and sense of humour. Playfully bending the bouji margins of multimedia, Buckman’s current ‘Present Life’